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SANDSTONE GALLERY

Contemporary Art
  • ABOUT
  • FEATURED EXHIBITIONS
  • ARTISTS
  • GUEST ARTISTS 2025
  • GUEST ARTISTS 2026
  • PAST GUEST ARTISTS
  • OPEN CALL FOR 3D ARTISTS
  • OPEN CALL FOR GUEST ARTISTS 2026
  • CONTACT

Each month, Sandstone Gallery features a collection of work of by a Guest Artist in the ‘Skylight Room’, a beautiful space lit by gallery and natural light, located in the center of our gallery.

Upcoming Guest Artists and their exhibition dates are listed below. Please click on an image to learn more about the artist and view some examples of their work.

Guest Artists are chosen based on their professional presentation, quality and skill in their medium, use of design principles, and how well they complement the work of the eleven Southern California artists we represent. If you are interested in exhibiting as a Guest Artist in Sandstone Gallery, link to “Open Call for Guest Artists” from our menu for more information.

KATHERINE MEAD - April - May 2025

Katherine is presently transitioning to a resident artist. We are so excited to have her onboard.

ARTIST STATEMENT

I have always viewed the world through a prism of color, texture, and light. My eyes instinctively arrange and create visual order. When I began working in collage, I knew I had discovered the perfect medium for my voice. I find joy in the ongoing experimentation of merging collage with painting. The intersection of fine arts and crafts continually fascinates me. I elevate traditional craft materials and techniques by thought- fully creating compositions that are modern and fresh, using both familiar and timeworn elements. Lately, I have been developing unique collage materials that bring a personal and original perspective to my work.

Vintage. Modern. Graphic. Textural. Complex. Ordered. Colorful. Earthy. Architectural. Organic.

I harness and arrange the ephemera and curiosities I collect and covet, elevating the mundane and challenging the expected with a diverse and direct visual vocabulary. My voice is authentic, with a clarity and vision that is singular and resolute. I take pride in sharing my work with others, opening their eyes to new ways of perceiving everyday materials and deepening their emotional connections to the relics and keepsakes of their personal histories.

BIO

Katherine, a native Californian, has been an adopted Oregonian for over 30 years. She earned a BFA with an emphasis in design from California State University, Long Beach. Katherine has worked as an interior architectural, graphic, and lighting designer in San Francisco, Los Angeles, and Portland, Oregon. In 2009, she returned to her fine art roots and has since exhibited in numerous shows and galleries across Oregon, California, Wisconsin, and North Carolina. Her work is featured in corporate and private collections throughout the United States. Katherine paints and creates from her studios in Lake Oswego, Oregon, and Indian Wells, California.

https://www.Katherinemead.com

AIR + SPACE # 2
AIR + SPACE # 2

Acrylic, Graphite and Tape over Collage on Board - 16 × 12

AIR + SPACE 1
AIR + SPACE 1

Acrylic, Graphite, Tape over Collage on Canvas - 30x30

AIR + SPACE # 3
AIR + SPACE # 3

Acrylic, Graphite and Tape over Collage on Board - 12 × 12

ROUGH + TOUGH
ROUGH + TOUGH

Acrylic, Graphite and Tape over collage on Board

( 9 ) 10X8 Panels framed to 11×9

CHECKS + BALANCE # 4
CHECKS + BALANCE # 4

Acrylic and Graphite over collage on Canvas - 20 × 20

CHECKS + BALANCE # 5
CHECKS + BALANCE # 5

Acrylic and Graphite over Collage on Canvas - 20 × 20

CHECKS + BALANCE # 6
CHECKS + BALANCE # 6

Acrylic and Graphite over Collage on Canvas - 20 × 20

ARCHITECTURE AND THE NATURAL WORLD # 2
ARCHITECTURE AND THE NATURAL WORLD # 2

Acrylic and Graphite over Collage on Board- 12 × 12

BUILD IT BLACK BETTER
BUILD IT BLACK BETTER

Acrylic, Graphite and Tape over Collage on Canvas - 40 × 16

HARNESSING THE NATURAL WORLD # 1
HARNESSING THE NATURAL WORLD # 1

Acrylic and Graphite over Collage on Board - 72 × 26

HARNESSING THE NATURAL WORLD # 2
HARNESSING THE NATURAL WORLD # 2

Acrylic, Tape and Graphite over Collage on Board - 59 × 43

HARNESSING THE NATURAL WORLD # 3
HARNESSING THE NATURAL WORLD # 3

Acrylic, Graphite and Tape over collage on Canvas - 30 × 24

MOON PHASE
MOON PHASE

Acrylic, Graphite and Tape over Collage on Board - 14 × 11

KAREN JOHNSON - June 2025

ARTIST STATEMENT

Excavation of surfaces inspires me, both in the physical process and the metaphorical meaning. I build up layers then sand and scrape back areas to reveal what lies beneath. There is always an element of chance-the happy accident that evolves into a more clear image. As each unexpected shape and texture emerge, it points me in a new direction-a push and pull of discovery.

The previous owner of a flat I lived in for many years had known David Ireland and was very influenced by him when he painted the place. He sanded back parts of old plaster and paint to reveal Victorian wallpaper-but just the smallest glimpse of it, a tiny rosebud, juxtaposed against aging plaster that still had cracks and distressed surfaces. The home's history was intact and adored. During my decade there, I adored it too. I believe this led to my interest in photographing crumbling walls, graffiti covered over by event posters, covered over again by more paint creating abstract compositions and beautiful textures. My painting process is much like this. The paintings I've been doing reflect this idea of revealing layers of color and texture without planning and concept, just a response to the materials and what is happening in the painting as it evolves. Of course, composition and color are important. I want the viewers eye to move around the image and be as delighted as I am in its creation.

Karen Johnson

https://www.karenjohnsonart.org

https://www.Instagram.com/Patternsfound

FLAME
FLAME

Mixed Media on Panel - 20 x 24

ANOMALIES OF BLUSTER
ANOMALIES OF BLUSTER

Mixed Media on Panel - 24 x 30

DAYDREAMING
DAYDREAMING

Mixed Media on Panel - 20 x 24

HEAD FULL OF SPRITES
HEAD FULL OF SPRITES

Mixed Media on Panel - 24 x 30

THE CLOUD IN THE SILVER LINING
THE CLOUD IN THE SILVER LINING

Mixed Media on Panel - 20 x 24

VERGE
VERGE

Mixed Media on Panel - 20 x 24

FOREST FLOOR
FOREST FLOOR

Mixed Media on Panel - 24 × 30

ICE AND FIRE
ICE AND FIRE

Mixed Media on Panel - 24 × 30

MOST VIOLACEOUS
MOST VIOLACEOUS

Mixed Media on Panel - 24 X 30

MALARKEY
MALARKEY

Mixed Media on Panel - 12 × 12

MINING FOR TREASURES
MINING FOR TREASURES

Mixed Media on Panel - 30 × 24

TELL ME YOUR SECRET
TELL ME YOUR SECRET

Mixed Media on Panel - 24 × 30

I. ANGELOV - July 2025

Artist Bio

I. Angelov is a self taught abstract painter and a professional animation artist, based in Long Beach, CA.

Angelov discovered his passion for abstract art at his first job, working at the National Puppet Theater in Blagoevgrad, Bulgaria. He started his artistic career as a set designer and marionette maker apprentice, under the guidance of the renowned Bulgarian scenographer and abstract painter - Plamen Bonev.

In 2003 Angelov graduated from the Laguna College of Art & Design, CA and ever since he’s been working in the LA animation Industry as a storyboard artist, layout artist and assistant director on shows such as Family Guy and The Simpsons, among others.

In his personal work, his main influences are Christo, De Kooning and The CoBrA Art Movement of the late 1940s.

He works mainly with Acrylics and Mixed Media, using varying textures and collages. His paintings are bold, animated, yet gentle and subtle.

Color, shape, texture and line interlock to create a sort of colored map, a multi-chromatic guide for the fellow traveler.

https://www.ArtOfAngelov.com

https://Instagram.com/art.of.angelov

MEMORIES OF KOLN
MEMORIES OF KOLN

Mixed Media on Canvas - 24 × 48

FLWCLW
FLWCLW

Mixed Media on Canvas = 30 × 65

CYCLADIC WIND II
CYCLADIC WIND II

Mixed Media on Canvas - 36 × 36

MOON RIVER II
MOON RIVER II

Mixed Media on Canvas

LUNA IV
LUNA IV

Mixed Media on Canvas - 36 × 36

SOL XIV
SOL XIV

Mixed Media on Canvas - 36 x 36

SOL XI
SOL XI

Mixed Media on Canvas - 24 × 24

GABRIELA DOMVILLE - August 2025

My journey is a tapestry of resilience and inspiration, deeply intertwined with the beauty inherent in every fleeting moment and enduring imprint of existence. My narrative began to unfold when a life-altering incident left my sister in a new, paralyzed reality, marking me with a profound awareness of life's fragility and ephemeral essence. This awakening became my catalyst, urging me to live in the full embrace of the present, seeking and creating beauty in every fold of existence.

This realization ignited my transformation and healing. It allowed me to interpret my intertwined thoughts and emotions through my expressive hands, with art becoming my sanctuary and sacred space where my soul dances freely, painting my stories, vulnerabilities, and revelations. It's a healing practice that blooms in the delicacy and resilience reminiscent of the hummingbird, extracting the sacred nectar of existence with tender precision.

My quest is a continuous exploration of the 'now,' a vivid reflection of the marvels I uncover in nature. Through the symphony of colors that narrate my travels, the evolving landscapes, and the ever-changing tapestry of existence, I strive to share my perspective on life's preciousness and impermanence, constantly reminding myself of my own Memento Mori.

I explore the transient nature of motherhood and my place in this fragment of history. I view my art as a profound exploration of life's intricate tapestry, its beings, its dance between exquisite beauty and inevitable death, and its healing symphony intertwining all senses.

I immortalize my thoughts, emotions, and visions through diverse mediums—paint, paper, fabric, or thread—often incorporating elements symbolic of nature, time, life, and death. My practice includes the mindful integration of discarded materials, a symbolic act of mending and reviving, and a statement against the fleetingness of existence. These symbolic motifs and objects become bridges to the past, creating dialogues with ancient times as an antidote to life's impermanence.

My artistic journey is my ode to the temporal and the eternal, a dance between the frugality of time and the boundless spirit within us. It's my conduit for communicating the myriad emotions ripple through my being, a therapeutic whisper that harmonizes my soul. In my creations, the sacred purpose of beauty finds its saga, a sublime symphony of shadows and light, a resilient masterpiece rebuilt from the wreckage of life's profound moments, drawing forth the sweet nectar of meaning and connection.


https://www.Gabrieladomville.com

https://www.instagram.com/Gabrieladomvilleart

ALONG THE RIVERBANK
ALONG THE RIVERBANK

Mixed Media on Wood Panel - 12 × 12

Framed

BACKYARD
BACKYARD

Mixed Media on Wood Panel - 12 × 12

Framed

THE KAYAK
THE KAYAK

Mixed Media on Wood Panel - 10 × 10

Framed

PATHWALK
PATHWALK

Mixed Media on Wood Panel - 12 × 12

Framed

ALL THE COLOR THAT WE SEE
ALL THE COLOR THAT WE SEE

Mixed Media and Collage on Paper - 6 × 9

Mat : 11 × 14

BLOOMING THROUGH THE WALL
BLOOMING THROUGH THE WALL

Mixed Media and Collage on Paper - 6 × 7.5

Mat : 11 × 14

WOOD BOX
WOOD BOX

Acrylic, Pencil and Collage on Wood Box

LINDA WEGMANN - September 2025

statement

Linda Wegmann is a contemporary abstract painter based in Sausalito CA. My work has evolved over 5 years painting, exploring color, properties of form and shape, lines, materiality, and spatial relationships and the interaction of all. The concept of ‘place’ and ‘being’ is a persistent theme in my work. 

I study the use of  form to abstract and develop imaginary landscapes of where I live and where I’ve 

traveled.  Fascinated by  finding my way into these painting by the sense of being seen, not seen, 

memories of places I have been or have been in my mind. There is something about the ‘finding’ in the work,

 I will continue to explore, depicting environments that are whimsical in their re-imagining. Influenced by my deep attachment to northern California, my paintings communicate composition and structure while embodying its very dissolution. 

bio

Affter a full career in graphic design and  taking a workshop in oil and cold wax medium, I started painting. I fell in love with the medium and knew I wanted to paint in that way. My paintings took on many shapes, including figurative work and imaginary landscapes. Ultimately my goal was to find a way to continue to abstract further. Discovering my love of the properties of shapes, lines, surfaces, spatial relationships and interactions is what drives me.  I’m excited about finding my way into the paintings by the sense of being seen, and not seen, memories of places I have been or have been in my mind. There is something about ‘finding’ in the work I explore. Living here in the Bay area is my constant visual inspiration. Weaving it all together through my painting practice is my greatest challenge and dance.

https://www.Lindawegmann.com

https://www.instagram.com/Lindawegmannart

BLUE LOUNGE
BLUE LOUNGE

Oil and Cold Wax on Cradled Panel

50 × 40

MENTAL CONSTRUCT
MENTAL CONSTRUCT

Oil and Cold Wax on Cradled Panels

40 × 50

PIECES OF YOU
PIECES OF YOU

Oil and Cold Wax on Cradled Panel

40 × 54

DOG PARK
DOG PARK

Oil and Cold wax on Cradled Panel

REMEMBER
REMEMBER

Oil and Cold Wax on Cradled Panel

48 × 60

MY QUIET CORNER
MY QUIET CORNER

Oil and Cold Wax on Cradled Panel

40 × 50

ANNLO- October 2025

Biography

I am a painter from Saguenay(Quebec) and I have been making art since I can’t remember. Following my secondary schooling in Visual Arts, and my college certificate in Arts and Letters (Cinema and Communication), I was admitted to the Bachelor of Fine Arts program at Concordia University in Montreal to study Film Animation. During my second year,

I was selected for an international exchange program in San Diego, California, where I rediscover the art of painting. At the end of the program, I was awarded a scholarship from the
Mel Hoppenheim School of Cinema for my excellent work.

After finishing university, I gave myself the most beautiful gift; time to perfect my art with a master in his field, one of the most influential artists of his generation in Quebec, my grandfather, Claude Grenier, graduate of the École des Beaux Arts in Quebec. Since then, I have used my grandfather’s valuable insight to guide me on my own artistic journey.

Through figurative and abstract works, my paintings are a reflection of my travels, my surroundings, and the people who inspire me. The live model drawing classes I took during my studies in San Diego, California were illuminating and significant in my artistic approach. Still today, I am continuing to perfect the body, its curves and faces.

In each of my works, I aim to arouse the emotions and stimulate the imagination of each collector. At the same time, I strive to experiment with new techniques and push my creative boundaries to offer unique visual experiences.

Through the use of vibrant colors and rich textures, my work embodies well-being, confidence, and strength in all of its forms. In addition to mixed media canvases and watercolour illustrations, I have created a unique collection of environmentally friendly and high-quality products, which are all made in Quebec and inspired by my own pieces of work. You will find decorative cushions, t-shirts and hoodies that will excite any art lover. A wallpaper collection is also coming soon!

Https://www.Annlocreations.com

https://www.Instagram.com/Annlocreations

A GLIMPSE OF SPRING
A GLIMPSE OF SPRING

Mixed Media - 36 × 36

FLYING
FLYING

Mixed Media - 40 × 40

FOREVER AND EVER
FOREVER AND EVER

Mixed media - 60 × 72

NEVER ENOUGH
NEVER ENOUGH

Mixed Media - 30 × 30

RUNNING IN A DREAM
RUNNING IN A DREAM

Mixed Media - 40 × 40

TO FEEL ALIVE
TO FEEL ALIVE

Mixed Media - 30 × 60

DOMINIQUE MC KENZIE - November and December 2025

OUR PLANET

Artist Statement

Everything inspires me to paint, particularly the details of my surroundings, up close designs of nature and fondation of my Art..

The imperfections of the landscapes are a reflection of our actual world and working from this idea encourages exploration and leads to multiples possibilities.

It is a never ending experiment and the ultimate meditation when your imagination and your sensitivity take over.

Dominique-art.com

Https://Instagram.com/dominique_mc_kenzie

PLANET 1
PLANET 1

Mixed Media on Canvas - 24 × 36

PLANET 2
PLANET 2

Mixed Media on Canvas - 24 × 36

PLANET 3
PLANET 3

Mixed Media on Canvas - 48 × 48

PLANET 4
PLANET 4

Mixed Media on Canvas - 30 × 40

Framed

PLANET 5
PLANET 5

Mixed Media on Canvas - 30 × 40

PLANET 6
PLANET 6

Mixed Media on Canvas - 30 × 40

PLANET 7 A
PLANET 7 A

Mixed Media on Panel -

PLANET 7 B
PLANET 7 B

Mixed Media on Panel -

PLANET 8
PLANET 8

Mixed Media on Panel - 30 × 30

PLANET 9
PLANET 9

Mixed Media on Panel - 30 × 30

PLANET 10
PLANET 10

Mixed Media on Paper - 37 × 48

Mounted on Gatorboard and Framed

prev / next
Back to GUEST ARTISTS 2025
AIR + SPACE # 2
13
KATHERINE MEAD - April - May 2025
FLAME
12
KAREN JOHNSON - June 2025
MEMORIES OF KOLN
7
I. ANGELOV - July 2025
ALONG THE RIVERBANK
7
GABRIELA DOMVILLE - August 2025
BLUE LOUNGE
6
LINDA WEGMANN - September 2025
A GLIMPSE OF SPRING
6
ANNLO - October 2025
PLANET 1
11
DOMINIQUE MC KENZIE - November and December 2025

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